Inspired by Sussex: How a County Shaped Artistic Visions

Sussex, with its picturesque landscapes ranging from the serene to the dramatic, has always been a magnet for artists. Its unique blend of ancient woodlands, rolling South Downs, and rugged coastlines makes it a canvas that has inspired and nurtured generations of creatives.

The Bloomsbury Group, an influential cohort of early 20th-century intellectuals, writers, and artists, is synonymous with Sussex. Their bond with the region was profound. Charleston Farmhouse in Firle wasn’t just a residence; it became the very essence of their creativity. One cannot imagine Virginia Woolf without visualising the tranquil waters of Sussex, nor Vanessa Bell’s artistry without the hues and textures of the county.

Before the Bloomsbury ensemble, the allure of Sussex had captivated William Blake. The coastal village of Felpham was his sanctuary for three years. In his writings, he termed it the "sweetest spot on Earth". His works during this period resonated with the mysticism and beauty of the surroundings.

Eric Ravilious explored the county extensively, letting Sussex landscapes seep into his watercolours. In his works, the rolling hills or the outlines of Beachy Head aren't mere geographical features; they embody emotions, capturing moments of serenity, reflection, and wonder.

Artistic giants like John Piper and J.M.W. Turner did more than just paint Sussex – they immortalised it. Piper's depictions, from cathedrals to coastlines, are filled with vibrant colours and emotional depth. Turner’s mastery, evident in "Arundel Castle, on the River Arun", encapsulated the juxtaposition of man-made marvels with nature's majesty in Sussex.

As art evolved, so did its representation of Sussex. Ivon Hitchens, acclaimed for his abstract landscapes, saw Sussex differently. His pieces, filled with swathes of colour, are almost like musical compositions—evoking emotions rather than detailed representations.

Pablo Picasso’s brief sojourn at Farleys House might seem like a mere footnote, but it was here that he sketched portraits of Lee Miller, weaving himself into the artistic fabric of Sussex. This connection reinforces the global allure of this English county.

The artistic heritage of Sussex isn’t limited to individual names. Institutions, festivals, and museums play a pivotal role in keeping the flame of creativity alive. The vision of Edward James finds its legacy in West Dean College, nurturing countless artists and conservators in their crafts.

The Ditchling Museum of Art + Craft, nestled in the South Downs, is more than a museum—it’s a tribute. It cherishes the village's deep-rooted artistic traditions, artists and artisans like Eric Gill, the sculptor, printmaker and typeface designer, Edward Johnston, designer of the London Underground font, and printer Hilary Pepler. These artisans were associated with The Guild of St Joseph and St Dominic, an offshoot of the Arts and Crafts movement.

Hastings Contemporary, overlooking the fishing boats and the Channel, provides a modern counterpoint. It’s a melting pot of innovative British art, ensuring that Sussex remains at the forefront of contemporary art.

Towner Eastbourne has been collecting and exhibiting contemporary art for almost 100 years, it has been presenting exhibitions of national and international importance for audiences in Sussex, showcasing the most exciting and creative developments in modern and contemporary art. In 2023/24 they also hosted the Turner Prize which was somewhat of a coup for the county.

Art is about connection, and nothing embodies this better than the Artwave Festival which has been running for over 30 years. By opening their studios, homes and venues, artists across Lewes District forge direct relationships with the audience, showcasing the vibrant local art community.

Sussex’s art narrative wouldn't be complete without mentioning Paul Nash, who found surrealist inspiration in the landscapes around Rye, or the Pallant House Gallery in Chichester. This gallery, with its impressive collection, is a testament to the county’s unbroken artistic tradition. Their 'Sussex Landscape: Chalk, Wood and Water' exhibition, which concluded in April 2023 to much acclaim, featured works by artists such as Turner, Constable, and Blake.

Modern-day Sussex continues to inspire. Keith Tyson’s intricate pieces, Maggi Hambling’s dynamic sculptures, are proof that Sussex remains a muse. Grayson Perry, with his unique blend of social commentary and craftsmanship, is a beacon of contemporary art tied to the region.

In essence, Sussex isn't just a county. It's a timeless muse, a haven for artists. Whether through the brushstrokes of Turner or the avant-garde expressions of the Bloomsbury Group, Sussex's influence on the art world is immeasurable. It stands as an enduring testament to the magic that occurs when nature, history, and artistry intertwine.

Here at Sussex Contemporary, we are continuing to champion Sussex art and Sussex artists. We believe that the Sussex art scene is as strong as ever and that the county’s talent can rival the best of the rest of the world.

Long gone is the notion that visitors need to travel to London to see the best contemporary art. We are promoting Sussex as a destination for art tourism, and a hub for creative talent. Our annual Sussex Contemporary Exhibitions have been seen by over 15,000 art lovers from all over the world and interest in Sussex artists continues to grow.

Previous
Previous

DUALITY

Next
Next

Today's Talent, Tomorrow's Treasure: Investing in Contemporary Art